Harlan Coben’s I Will Find You is easily the weakest in Netflix’s hit whodunnit franchise to date — not helped by a dreadfully huge change to the crime drama format

I’m turning into something of a Harlan Coben fangirl. Much like a stalker in one of his compelling crime stories, wherever I go is somewhere he already seems to be.

Looking at his TV track record since 2020 alone, this is hardly a surprise. Coben has had 10 of his stories adapted for Netflix in this time alone, with a further two — including one completely original script — on Prime Video. He’s truly the King of Crime both on page and screen, and frankly, I bow to his majesty.

I Will Find You is our tenth Netflix adaptation in this list, and the moment I saw it would be joining the streamer this month, I was locked in with a laser focus. However, now that I’ve streamed all eight episodes, the lasting effect is more lukewarm than boiling hot.

Perhaps I’m spoiled for choice. I’m used to crime dramas that truly melt the mind, and both Lazarus and Run Away (two Coben shows that have been released in the last year) have done exactly that. I’ve been left with my head spinning, my eyes rolling and my jaw on the floor, even when they weren’t absolutely perfect.

This time around, I’ve metaphorically shrugged my shoulders. I Will Find You is largely solid, and everything there is to critique isn’t exactly world-destroying. But when we’ve been solving crime at such lofty heights, the comedown effect feels ridiculously devastating.

Harlan Coben’s I Will Find You is the plain bread equivalent of Netflix crime drama

So, what’s the story? Without giving too much away, we follow David Burroughs (Sam Worthington), who is serving a life sentence for the murder of his son, Matthew. When his ex-sister-in-law, disgraced journalist Rachel (Britt Lower), finds evidence that Matthew might still be alive, the race is on to prove David’s innocence and find his son.

Whipped into a tight paragraph, that all sounds incredibly exciting… and for the most part, I Will Find You hits the brief. Worthington plays it Kiefer Sutherland-in-24-style as David, hotfooting it out of prison like his life depends on it (and it does).

There’s a beautiful cat-and-mouse chase between David and the FBI from episode 2 onwards, both trying to outfox the other by almost nailing what the other is thinking — except one key detail is always catastrophically wrong. This type of rollercoaster storytelling is where the series is at its strongest, and that’s all thanks to Mr. Coben himself.

Obviously, this is why we’re tuning in. We’ve watched and read enough to know that Coben is a master of his craft, turning even the most mundane of moments into something truly thrilling. The problem, however, is just how much mundanity he’s working with… even though that’s basically his own fault.

Unless bodies are being hacked into pieces, a curveball the size of the Empire State Building is dropped into the storyline, or our characters betray each other on an epic scale, we’ve all consumed so many crime dramas that most of the nuts and bolts would be considered boring.

With such a linear storyline, I Will Find You wholeheartedly falls into this trap. We can guess what will happen to David, Matthew, and, frankly, who did it, which isn’t as impressive as Coben’s biggest mind-melters.

I Will Find You is the first American Harlan Coben adaptation on Netflix — and I hate that

I Will Find You hasn’t helped its predictability problem by making a Columbo-shaped error with its casting announcement. Back in the days of 1980s crime-solving shows like it and Murder, She Wrote, the guest with the most star power would always be booked as the killer.

Fans eventually caught on, and it became so obvious that shows had to completely change their casting strategy. I’m not going to tell you which cast member this is aimed at, but one of I Will Find You‘s biggest-billed and most-promoted stars is also suspiciously absent from most of the drama. I wonder why that could be?

Then there’s the final kicker, which will be an absolute gut-punch to anybody watching across the pond in the UK who has also co-opted Coben as an honorary Brit. I Will Find You marks the first adaptation for Netflix that is based in the US rather than the UK, with accents to match. This has happened once before in Prime Video’s Shelter, but Netflix has been committed to using stalwart British actors since Cobenmania caught on.

After spending the first 10 minutes in disbelief, shouting “Wait, this is American?!” at my TV, I realized that I Will Find You had lots of bits of its grittiness and bite by being set on the East Coast. Apologies if this offends our American friends — I’ve just seen too many iterations of Law & Order, 9-1-1 and Blue Bloods for me to think that fictional crime in the Big Apple is anything other than cheesy.

Maybe I’m just being pedantic, but that’s what happens when a streaming service gives you a never-ending wealth of content to gorge on. I Will Find You isn’t the Harlan Coben I will return to or even remember after this week, but it did the job it needed to while I was watching.